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可住: 3
卫生间: 0.5
卧室: 1
床铺: 2
入住时间: 13:00后
退房时间: 10:00
房间类型: 独立房间

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《房屋守则》

Guests will be given the keys to the house, so you can come and go freely. There is no limit on the time to return at night. It is recommended not to mess to return at night to respect the other guests.
Inside the B & B is not allowed to use substances or alcoholic excesses.
The bath should be used for such, and not as a laundry room. This need is available for a fee laundry service, or you will be shown the nearest self-service.
At the end of your stay you will check that the chamber is in the way you have been given and that all that is provided (sheets and towels so on) are returned.


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最少住宿2晚

148条评价

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仁金的用户个人资料
2015年10月
房东非常的友好,尤其还有中国朋友帮助我们找免费的停车位,推荐好吃的。非常感谢,这是一次非常愉快的住宿体验,谢谢房东的热情招待。

Romain的用户个人资料
2015年10月
Accueil chaleureux dans une belle maison ancienne de Florence. Gabriga et son amie ont été de bonne compagnie et de bon conseil (infos, plans de la ville, cartes de restaurants à dispositions...). Discussions sympathique autour d'un café ou d'un petit déjeuné partagé. Expérience que nous renouvellerons volontiers.

Rasa的用户个人资料
2015年10月
Gabriga and his girlfriend were welcoming, kind and very helpful. The Artist's House was a nice place to stay with really artistic atmosphere. Its location is very convenient - within a walking distance to the centre of Florence.

Rachel的用户个人资料
2015年10月
Gabriga was patient with me when I arrived later than expected. The space is filled with Gabriga's Art. The bedroom is huge! Comfy bed, good wifi, great location. Hosts were nice and friendly. They offered us coffee or tea in the mornings while sitting down and chatting with us. no complaints, would stay again! :)

Xue的用户个人资料
2015年10月
We had a perfect stay at Artist' house with Gabriga and Fan. The location is only walking distance to all the main attractions! Thanks for Gabriga and he even bought one book to my daughter, she really love it. Also thanks to Fan, who is also from Beijing and gave us a lot help with transportation, introduction of the good restaurant etc. As we know they will move to a new place, and I believe the new apartment will be even better and recommend to stay with them for all of the visitors of Firenze, they are really nice!

Claire的用户个人资料
2015年9月
We had a great stay in Firenze thanks to Gabriga. He gave us plenty of useful tips. The room was very well decorated, the flat is well located, (20 minute walk from the duomo), and there are free parking spots. Grazie mille!
Gabriga的用户个人资料
来自Gabriga的回复:
Hello Claire :) Thanks to you!! it was good to have my guests !! Arrivederci :) Ciao Claire :) Grazie a voi!! è stato bello avervi miei ospiti!! Arrivederci :)
2015年9月

Annick的用户个人资料
2015年8月
Belle rencontre avec Gabriel une rencontre humainement bienveillante et riche de conseils et Un superrrr appartement à côté du centre de la vieille ville de Florence Génial on a adoré ...notre fille de 15 ans était enthousiaste ( rare pour une adolescente:)) Nous avons apprécié l accueil de GAbriel et son humour .... Un super souvenir. Seul bémol les moustiques même si Gabriel à fait le maxi .....mais je pense qu'ils nous ont aussi....fait bon accueil ( les moustiques) Nous sommes en ville alors fenêtre ouverte le bruit des voitures est un peu dérangeant Mais sans plus étant au dernier Etage.. Adresse super pratique pour visiter

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佛罗伦萨, 意大利注册时间:五月 2011
Gabriga的用户个人资料

Artista visivo. Lavora nel campo della scenografia teatrale. Realizza servizi fotografici per il teatro di ricerca. Nell'arte visiva è solito realizzare installazioni interattive.
Ha realizzato scene per teatro, danza, lirica ed installazioni in Italia e all'estero.

CURRICULUM

Gabriele Pellegrini, born 1959 in Ruvo, Bari, has lived and worked in Florence since 1979 where he attended l’ISIA, l’istituto Superiore per l’Industrial Design. He graduated with a thesis entitled, “The World of Packaging: Predesign for a Project on Business Communication within the System of Mass Communication”
Rather than the “logical” immobility of industrial design, he prefers the risk and freedom of the design of theatrical scenography. From 1991 to 2001 he worked with architect and set designer Stefani Battaglia. Together, they designed scenography and costumes for theater and dance, multivision works, installations, and video installations, collaborating with companies and organizations of national and international importance.
At the same time, he has continued his personal research on the phenomenology of perception using the photographic language, but not exclusively; his first exhibition is already an installation. He creates combinations particularly agreeable with his “multimedia expressiveness,” achieved with his work in photographic installations in both natural and developed locations.
For ten years he has also worked with photography of scenography. Especially active and appreciated his theatric experimentations, he has photographed for Socíetas Faffaello Sanzio (Cesena) which has recently published a photographic book Epitaph that contains images of the company’s productions for the last twenty years, Fabbrica Europa (Firenze), Fondazinoe Sipario Toscana (Cascina), Teatro delle Donne (Firenze), Kripton (Scandicci), Opera Giovani in Europa di Aldo Tarabella, La fabbrica dell’Attore (Roma), La Zattera di Babele (Roma), Simone Carella (Roma), Sylvano Bussotti (Firenze), Luigi Cinque (Roma), Compagnia Virgilio Sieni (Firenze), Compagnia Marinella Salerno (Firenze), Associazione Culturale Danza Arbus (Firenze), Balleto di Toscana (Firenze), Pino Minafra (Ruvo), Alcatel (Milano), Teatro della (Limonaia Sesto Fiorentino), Tempo Reale (Firenze), etc.
Both his photographs for these companies and those of his installations have been published in visual art, dance and theater books as well as in Italian and foreign newspapers.

Visual Arts
The first installation, EPILOGO-Fotofonie, (each image was given its own sound), was presented in 1993 in Florence at the Galleria Container and in 1994 in Prato at the Galleria Dry Photo in and again in Florence for Ecosfera at the Fortezza da Basso.
The installation, on the subject of environmental pollution, presented the images and sounds of the debris of our daily consumption: “sopravvivenze di oggetti disperse sui bordi della terraferma, quasi escrescenze biologiche, prossimi all’armonia nell’angusto ritaglio dello spazio”



The second installation, ARITIMIE-Fotofonie, was presented in Ruvo, Puglia in the field of Talos Festival ’95: “La melodia-la ricerca-la follia.” It was also presented in Florence at Stazione Leopolda for Fabbrica Europa ’95: “Il disordine delle arti.”
The works in the Aritimie series were also displayed in the gallery “La mente e l’immagine di Roma,” and at “Cardillac” in Florence.
“ARTIMIE” involves itself in the idea of visual, contemporary pollution from a propagandist system geared toward “the masses” to the universal languages of advertisement communication written and transferred via products. The result achieved over the course of fifty years of “excess” and “hammering” for the erasure of different sociological, ethnic and religious realities has brought about a vertical drop in the quality of the sign and the degradation of cultural identity.
The works are born of the study of common packaging. In the research, the sign of artificial materials is set against the signs of natural elements that become, today each in turn, “products of mass consumption.”
Through “mental” manipulation and the repetitive speculation of images, the “insignificant coded” becomes the “significant uncoded,” stimulating those processes tendentiously favorable for the recovery of the truly imaginary.



For ‘Apre’ in February 2000 (the first Florentine exhibition dedicated to ecological and biotechnological problems) at Stazione Leopolda in Florence, he installed on a steel wall six meters high and twelve meters long a series of recent, large-scale works, resulting from research on photography and digital pictures, a preview of the interactive installation project “Corpi. Sembianze del Tempo.”
The works of the series “Corpi. Sembianze del Tempo” intensify the already commonly-held certitude of the invasion of the artificial into the depths of the body. This invasion is, in one sense, having to put up with violence, and in another sense like a gift of membership to the system through the manipulation of the flesh and mind.
Bodies. At the end, identity is always in suspension. Under the investigation of the stare, recorded, in the attempt to find the threshold and go beyond the common place of representation.
The works open, therefore, at the visionary crossroads that occupy the space of memory and divination.
In February 2001 in Bari, at Teatro Kismet OperA he presents a photographic retrospective dedicated to Societas Raffaello Sanzio entitled “Corpi.” The suggested images are digitally enhanced photographs that come from the photographs taken during the representations of “Amleto, Orestea, Giulio Cesare, Voyage au bout de la nuit, Genesi, Il Combattimento.”
In Prato, the exhibit becomes an installation that creates an interaction between the works dedicated to “Corpi” for Raffaello Sanzio with “Corpi contrafatti” of some of his recent digital work and takes advantage of the atmosphere and the sliding hooks on the snaking platforms of the butcher’s workrooms in the ex-butchery, now Cantieri Culturali dell’Officina Giovani.
The project was created in collaboration with l’Assessorato alla Cultura and Teatro Metastasio (from March 14 through April 8, 2001).
In Florence, for Fabbrica Europa 2002 mito d’Europa e identitá contemporanea, his installation exhibition entitled “La voix du corps” viaggio nel mondo della Socíetas Raffaello Sanzio was unveiled in the main aisle of Stazione Leopolda. It presents on an inclined stage a series of other new works.



RIEPILOGO MOSTRE ED INSTALLAZIONI PERSONALI

EPILOGO-FOTOFONIE,
- Galleria Container - Firenze 1993 - Galleria Dry Photo - Prato 1994 - Ecosfera, il Giardino di Gaia - Fortezza da Basso - Firenze 1994
ARITMIE
- Spazio Cardillac - Firenze 1994;

- ARITMIE- FOTOFONIE (Installazione)
Underground via Gobetti , in collaborazione con Galleria Omphalos Terlizzi, Talos Festival , Assessorato Cultura Comune di Ruvo di Puglia e Tecnotermica Guastamacchia, Engineering & Contractors - Ruvo di Puglia 1995

- ARITMIE - FOTOFONIE (Installazione)
- Spazi d'arte Fabbrica Europa, Ex Stazione Leopolda - Firenze 1995

- CORPI. SEMBIANZE DEL TEMPO (anteprima)
- Auditorium Rodari in collaborazione festival jazz - Campi Bisenzio 1997
- Apre 2000 - Ex Stazione Leopolda - Firenze 2000
- Officina Giovani Cantieri Culturali Ex Macelli - Prato 2001”

- “CORPI” Dalle foto di scena per la Socìetas Raffaello Sanzio
- Teatro Kismet OperA - Bari 2001
- Officina Giovani Cantieri Culturali Ex Macelli - Prato 2001”

“LA V DU CORPS” viaggio nel mondo della Socìetas Raffaello
Sanzio.
Fabbrica Europa 2002 Ex Stazione Leopolda Firenze 2002

- Studi Aperti: installazione dei Light-box serie “colonne” negli studi di via degli Artisti Firenze 2003

Corpo, segno, superficie (ospite) Castello Estense
Ferrara aprile 2007

- "di me morie" installazione. Riarteco Apre2007- Firenze, Piazza
Santa Croce

Art in the city 08

- "Di me morie" video installazione.
per galleria Polin Treviso
26 luglio 2008
Piazza Mazzini, Lido di Jesolo (ve)


COLLETTIVE

- RIFLESSI O TRASPARENZE - Galleria La Mente e
L' Immagine - Roma 1994

- PERMANENZE E METAMORFOSI - Forte Belvedere -
Firenze 1996

- 2° Premio Trevi Flash Art Museum - Trevi 1997

- BENI DUREVOLI - FYR Arte Contemporanea Firenze
1- 31 gennaio 2005


- "Inadeguato" installazione.
con Claudia Vianello.
Per "rivivere il chiostro"
Chiostro delle Oblate
Firenze 15/6/2007 - 21/7/2007

- "Corpo Elettrico"
Erotic Art. ideato da Officine Artistiche
Treviso

De forma by art Bologna 1/9 2007

Ass.Artigianando nell'arte.Torino 6/10/2007

- Humanity - Galleria Bluorg, Bari 21 / 11 / 07

- Skull: return to sender - Wannabee gallery,
Milano. 15/ 5 / 08

- Skull: return to sender - Zaion gallery,
Biella (TO) giugno 08

- Skull - Spazio Revel, Scalo d'isola.
Milano 16 / 9 / 08

- Sex Toys - Wannabee Gallery,
Milano 14 / 10 / 08

- Arte erotica e pornografia
Le Segrete di Bocca
Milan2009

- VentiperVenti - Terza edizione
Lineadarte Napoli
installazione "Non sai cosa darei per averti"
20 / 6 / 2009

- Itinerari del Sassoscritto "I sentieri delle
stelle" installazione all'aperto "INADEGUATO"
Località Gavignano - Antella - Firenze
25/29 / 6 / 2009

- Today Mater Lux. Palazzo Carrizzo/Masseria Luce
Lineadarte Napoli 24 / 10 7 2009

- Nigredo -
Firma anche progetto e direzione allestimento
Ex Lavanderia ex ospedale
psichiatrico S.Maria della Pietà Roma
15 /10 / 2009



VIDEOGRAFIE

- EPILOGO-FOTOFONIE - girato in super vhf alla Galleria Container 1995

- ARITMIE- FOTOFONIE - girato in betacam nello spazio Underground via Gobetti di Ruvo di Puglia 1995

- La voix du corps - girato in digitale alla Ex stazione Leopolda di Firenze 2002




SCENOGRAFIE
LA MER, coreografie C. Vodoz-Festival de la Cité - Losanna 1991
PITAGORA, regia G. Cauteruccio - Produzione Kripton –Scandicci 1991
NOTTE FATALE, coreogafie di R. Fabbri - Teatro Comunale - Firenze 1992
LA MER, coreografie C. Vodoz Teatro Comunale - Firenze 1992
CHIOMA DI DRAGO, coreografie M. Salerno - Teatro Studio - Scandicci 1993
MINOTAURO - regia F. Gigliotti - Macchine di Bosco - Teatro Studio Scandicci 1993
PARABOLE, coreografie C. Vodoz - Teatro Comunale -Firenze 1993
UNE MAISON DANS MA V, coreogr. C. Vodoz - Chateau de la Tour de Peilz 1993
IL CRISTO PROIBITO, regia M. Luconi - prod. Ist. del Dramma Popolare S.Miniato 1993
OTELLO, coreogr. F. Monteverde - Centro Regionale per la Danza Pistoia -1994
Balletto di Toscana ( Premio Danza e Danza 1995 )
TRANCE - FERIMENTI, coreogr. R. Fabbri, M. Salerno, A. Vidac -. Fabbrica. Europa -1994
Le notti della Moda. Capri 22 giugno 1994 committente R.A.I. 1
FABBRICA EUROPA- AGORA' - installazione. all' ex Stazione Leopolda, - Firenze - 1994
BIENNALE DELLA MODA -Direzione allestimenti spazi esterni Forte Belvedere Firenze. 1995
MADAME BUTTERFLY- di G. Puccini - regia F. Ripa di Meana - Teatro Regio Torino 1996
LA BOHEME di G. Puccini regia A. Tarabella consul. e direzione allestimento Arezzo 1999
MADAME BUTTERFLY di Puccini - regia F. Ripa di Meana Teatro d'Opera di Bilbao 2001

VIDEO INSTALLAZIONI

CORSIA, install. con G. Cattani. Ideazione e ingegnerizzazione sculture meccaniche, direzione tecnica. fotografia - Biennale Venezia arti visive. sez. Aperto 1993

GRUPPO CARMA , progettazione, ambientazione, sculture in ferro, fotografia multivisione e video. Milano, Magna Pars 1996

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